Goodbye isn't the end

  • By juni
  • 06 Mar, 2019

His were the spurs of the west coast cow horse world. You’d see the shank of a Gordon Hayes spur from twenty feet away and know that spur was marked with his GH stamp. If you walked into the tack room of any cow horse barn it was almost guaranteed one of his Argentine snaffles, either the elegant style with the concho on the cheek, and silver beading on the gracefully curved short shank, or the simple, pragmatic working model, made with sweet iron and just the right amount of copper inlaid on the mouthpiece would be hanging among the bridles with a headstall and split reins. It was the go-to for one of my horses more days than not.

 

Gordon Hayes made practical things. And he made them beautiful. He was the curmudgeon’s template for curmudgeon. He didn’t love everybody he met. And for people who weren’t liable to do the right thing, that was the given. I always figured if someone didn’t love Gordon, it was because they owed him money, or because he’d told them the truth without backing off. But for some of us, that trait made us love him more.

 

His wife and daughter asked if I’d sing a song for Gordon’s memorial service last weekend. I couldn’t have said no if an elephant had been standing on my ribcage. And quietly, before the service began, his daughter presented me with two boxes, tied in a burgundy ribbon. One contained an elegantly crafted ostrich skin watch band, with an engraved sterling buckle set Gordon had made. The other: one of the rawhide scarf slides he made. He made lots of them, carried some around in a bag, sometimes a few in his pocket. I have a couple he’d presented to me over the years, as a token of a nice visit. The rawhide slide in the box was on a blue paisley scarf his daughter told me was one of his favorites. And then, as I put that scarf on to wear for the service, I remembered when I’d seen Gordon wearing it at a horse show. I’d re-tied it for him that day. Told him it was the prettiest thing I'd seen.

 

That scarf. A final gift from a person whose friendship I have treasured. And so, I sang a song, because his family asked, and because Gordon had told them he wanted me to sing if I could be there.

       

You betcha, Gordon. My pleasure. My honor to be among your many friends. And thank you for the perfect rawhide scarf slide you made with gnarled fingers, and the scarf you picked to wear one day, and for making sure someone who’d treasure it got to have it. I’ll never forget you. And when I get to ride over that last ridge, I know what bit my horse will be wearing. And I'll bring your scarf back. Hope you’re there to take note and grin.


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The part about pitching comes next. We take that novel we've written and write a query letter, which conveys the essence of the story into about 300 words, and we see what literary agents or publisher might be interested. Most say no. It's just the way it is. But when some stars align, an agent or publisher who loves the idea of the story asks for a full manuscript, to see if the manuscript delivers what the query promises.  "When's it coming out?" is still the question, and there's not a solid answer yet. 

But some stars aligned in December 2020, and a cool publisher loved the query letter (one page) enough to read the synopsis (three pages) and upon reading those, asked for a full manuscript (300 pages) and read it, and loved it. Then they offered a contract, and we struck a deal. So, the NEW book, INDELIBLE LINK is signed to a publisher.

What's it about? A trapeze artist. That's about all I'm allowed to say right now.

"When's it coming out?" When they're done doing what publishers do. But you can send me an email here:  author@junifisher.com  and I'll make sure you get news when they're ready to release it.

While you're waiting, if you haven't read GIRLS FROM CENTRO, you can get it on Amazon : https://www.amazon.com/Girls-Centro-Juni-Fisher/dp/1683131754/ref=tmm_pap_swatch_0?_encoding=UTF8&am... =  or from my website (and I can sign it!) https://www.junifisher.com/book
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The earth lost an angel about a month ago. Her name was Audrey Griffin. When I went to a friend who'd delivered a touching eulogy at Audrey's memorial service, though, I saw that Audrey had not left us after all. The shining torch had been passed. That torch was passed to Kristen, who spoke with tenderness and honestly about what Audrey had meant to her, and gave us all a vision of what we were to do with that torch of shining light Audrey had left us.

Audrey gained her first taste of the spotlight as a roman rider. On a team, then a trio, then a quintet, and a sextet of white horses, she rode galloping patterns in rodeo arenas in the 1950s. She raised a beautiful family of daughters. She was a sailor (something I didn't know until her memorial service) and she was a horseman to the very last light. Folks would see her truck and trailer all over the Santa Ynez Valley, and say "There goes Audrey," and smile. She'd be hooking up her trailer and loading a good horse at the drop of a hat if there were cattle to gather or move, or sort or brand. She was first to raise her hand when it came time to lend a hand, because she just plain loved horses, and riding, and being a dang good hand, and that she was: a hand.

I first met Audrey about 10 years ago when I met an old friend, Art Green who's managing the Alisal Ranch cattle operation outside Solvang, CA, for lunch in Santa Ynez one day. He brought along my friend and hero Sheila Varian, and this beautiful, shining woman with the most magnificent blue eyes you ever saw. Sheila wanted to know if I could go move some cattle with them the next day. "If you can mount me, I've got my saddle in the camper," I said. True to Sheila fashion, she said "Audrey can!"

Now, I am very very sensitive to people's horses, and I turned to this woman I'd just met, laughing and said, "I'm so sorry, Audrey. You don't know me from Adam, but it was sure nice of Sheila to offer your horse." Audrey Griffin, member of the Cowgirl Hall of Fame, never missed a beat.

"You can ride my bridle horse, I'll ride my filly tomorrow." And the next day, I jogged out across the morning mist with Cowgirl Hall of Famers Sheila Varian and Audrey Griffin on either side of me. Slice of heaven right there. The thing was, if Sheila said I was okay, then I was okay by Audrey too. The other thing was this: Audrey Griffin just plain loved everybody. She'd hug you and look into your eyes and you knew that if there were angels on earth, they had silver hair, a cowboy hat, sparkling blue eyes and their lipstick was the perfect shade. That was Audrey.

When she passed, she was sitting on a good horse, dressed to the nines, moving cattle. That was how she always said she wanted to go: to be on a good horse and have her lights just go out. God was listening. And when Audrey rode off into her last sunset on earth, she left some stardust on all of us. Thank you, my beautiful friend. You left plenty of stardust for everyone you ever touched.


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